Roman Cieslewicz : Mona Tse-Tung. 1977 © Courtesy Chantal Petit-Cieslewicz ( On show during the exhibition “Photo-graphiK” at Maison Européenne de la Photographie, Paris, 24 september – 26 october 2008 ) /via photographie.com

Roman Cieslewicz : Mona Tse-Tung. 1977 © Courtesy Chantal Petit-Cieslewicz

( On show during the exhibition “Photo-graphiK” at Maison Européenne de la Photographie, Paris, 24 september – 26 october 2008 )

/via photographie.com

Roman Cieslewicz and Chantal Petit at the National Museum in Poznan. Photo: Tomasz Sikora /via culture.pl

Roman Cieslewicz and Chantal Petit at the National Museum in Poznan.
Photo: Tomasz Sikora

/via culture.pl

Roman Cieslewicz, Mrs. Lacleur - /The Mysteries of Udolpho/ 1975 ( On show during the retrospective at Royal College of Art, London, 16 July - 17 August 2010. The exhibition was organized by the Polish Cultural Institute and the Adam Mickiewicz Institute. )/via rca.ac.uk

Roman Cieslewicz, Mrs. Lacleur - /The Mysteries of Udolpho/ 1975

( On show during the retrospective at Royal College of Art, London, 16 July - 17 August 2010. The exhibition was organized by the Polish Cultural Institute and the Adam Mickiewicz Institute. )

/via rca.ac.uk

Ignacy Witkiewicz : Spotkanie z jednorogiem w Górach Skalistych (Meeting with Unicorn in Rocky Mountains). 1920 /via artnet

Ignacy Witkiewicz : Spotkanie z jednorogiem w Górach Skalistych (Meeting with Unicorn in Rocky Mountains). 1920

/via artnet

Ignacy Witkiewicz : Udzielny Byk na urlopie - Portret Leona Chwistka. 1913 /via artnet

Ignacy Witkiewicz : Udzielny Byk na urlopie - Portret Leona Chwistka. 1913

/via artnet

Bruno Schulz : “Mademoiselle Circe i jej trupa”, cliché verre, 1920-1922. From Xiega Balwochwalcza / Le Livre idolâtre / Das Götzenbuch / The Booke of Idolatry /via brunoschulz.org

Bruno Schulz : “Mademoiselle Circe i jej trupa”, cliché verre, 1920-1922. From Xiega Balwochwalcza / Le Livre idolâtre / Das Götzenbuch / The Booke of Idolatry

/via brunoschulz.org

Bruno Schulz “Procession”, cliché verre, 1922. From Xiega Balwochwalcza / Le Livre idolâtre / Das Götzenbuch / The Booke of Idolatry /via brunoschulz.org

Bruno Schulz “Procession”, cliché verre, 1922. From Xiega Balwochwalcza / Le Livre idolâtre / Das Götzenbuch / The Booke of Idolatry

/via brunoschulz.org

Polish theatrical poster for Rozewicz’s Biale Malzenstwo (The White Marriage), designed by Franciszek Starowieyski, 1978 /via foxesinbreeches

Polish theatrical poster for Rozewicz’s Biale Malzenstwo (The White Marriage), designed by Franciszek Starowieyski, 1978

/via foxesinbreeches

Polish poster for Polanski’s “Rosemary’s Baby” by Wieslaw Watkuski, 1984/via vinnierattolle

Polish poster for Polanski’s “Rosemary’s Baby” by Wieslaw Watkuski, 1984

/via vinnierattolle

Poster for Alfred Hitchcock’s “Vertigo” by Roman Cieslewicz, 1963. Polish born illustrator Roman Cieslewicz lived in Paris since 1963 and worked as art director for Elle magazine. Together with Arrabal, Jodorowsky and Topor he formed “Mouvement panique” (Panic movement) in 1962. /via vinmag

Poster for Alfred Hitchcock’s “Vertigo” by Roman Cieslewicz, 1963.

Polish born illustrator Roman Cieslewicz lived in Paris since 1963 and worked as art director for Elle magazine. Together with Arrabal, Jodorowsky and Topor he formed “Mouvement panique” (Panic movement) in 1962.

/via vinmag

Polish movie poster: Kamo Niebezpieczna Misja [Kamo / Personally Known, an Armenian film], 1960’s, Designer: Andrzej Krajewski (via chisholm-poster)

Polish movie poster: Kamo Niebezpieczna Misja [Kamo / Personally Known, an Armenian film], 1960’s, Designer: Andrzej Krajewski

(via chisholm-poster)